Anglo-American Asian Bi-Jural Chthonic Civil Common Community Comparative Continental Culture Customs Development Diffusion Formants Germanic Hegemony Hindu History Humanities Hybridity Hybrids Interdisciplinary Irritant Islamic Ius Law Law-in-Action Legality Lex Living law Philosophy Plurality Micro-jurisdictions Mixed legal systems Mixity Native Nordic Norm Normativity Polyjural Praxiology Reception Roman Society State Stateless Talmudic Traditions Transplant Transsystemic
Olivier Moréteau launched a new blog, EUtopia, to rethink the European Union in a context of crisis:
"A fully independent place to rethink the European Union in
the perspective of the people and in view of promoting a healthy debate on its
future. The approach is meant to encompass multiple dimensions of European
integration: historical, philosophical, spiritual, political, legal,
economical, sociological, demographic, linguistic etc. in view of proposing
elements for a Constitution of the EU, with a federalist inspiration."
Le présent ouvrage, destiné aux enseignants, chercheurs, praticiens du droit, acteurs de la société civile, citoyens, est construit sur l'exploitation de 23 ans de jurisprudence. Il est une contribution déterminante à la connaissance et la vulgarisation des droits africains. L'auteur se positionne en précepteur enflammé de la doctrine de la « déconstruction-reconstruction », qui propose de construire sur les décombres des thèses classiques, un système de droit public bâti sur la lutte contre les immunités du pouvoir et tourné corrélativement vers la protection des droits et libertés individuels.
Commémoration des travaux de la professeure Nicole LaViolette
La Revue femmes et droit sollicite des observations rédigées en français sur l’intersection des LGBTQ et des réfugiés. Cette édition spéciale commémore les travaux de la professeure Nicole LaViolette dont le travail a contribué à mieux comprendre les croisements entre l’orientation et l’identité sexuelles et la migration forcée au Canada et à l’échelle internationale. Dans ce numéro spécial, on cherche à faire avancer les travaux de la professeure LaViolette. Les auteurs sont invités à puiser dans une bibliographie annotée que la professeure LaViolette et Mary Kapron ont compilée en vue de générer des idées ou de l’utiliser comme source (http://papers.ssrn.com/sol3/papers.cfm?abstract_id=2457503) Les articles, d’une longueur maximale de 10 000 mots, doivent être finalisés d’ici le 1er octobre 2016.
Commemorating the work of Professor Nicole LaViolette
The Canadian Journal of Women and the Law is welcoming submissions written in French on the intersection of LGBTQ and refugees. The special edition is commemorating the work of Professor Nicole LaViolette whose work contributed to understanding the intersection of sexual orientation and gender with forced migration both in Canada and internationally. The edition hopes to further the work of Professor LaViolette. Writers are welcome to mine an annotated bibliography that Professor LaViolette and Mary Kapron compiled to generate ideas or use as source material (http://papers.ssrn.com/sol3/papers.cfm?abstract_id=2457503). Papers no more than 10,000 words must be completed by October 1, 2016.
This volume gathers papers presented at the Juris Diversitas Annual Conference 2014, which was organized with and hosted by the Aix-Marseille University Faculty of Law. The general theme reveals the essence of Juris Diversitas as an international, interdisciplinary community originally composed of comparative law scholars, conversing with anthropologists, geographers, historians, philosophers, economists, linguists, sociologists, to explore the interaction of the law with all branches of human and social sciences. The chapters are arranged in sections that complete the title of the volume: comparative law and … methodology, sources, constitutions, history, liability, property, the courts, East Asia, and beyond. Ce volume rassemble des contributions présentées au Congrès annuel de Juris Diversitas organisé avec la Faculté de droit d’Aix-Marseille Université en juillet 2014. Le thème général illustre l’essence de Juris Diversitas comme communauté internationale et interdisciplinaire composée à l’origine de comparatistes dialoguant avec des anthropologues, géographes, historiens, philosophes, économistes, linguistes, sociologues, pour explorer les interactions du phénomène juridique avec toutes les branches des sciences humaines et sociales. Les chapitres sont regroupés en sections complétant le titre du volume : le droit comparé et… la méthodologie, les sources, les constitutions, l’histoire, la responsabilité, les biens, le juge, l’Asie de l’Est et au-delà. Table of contents / Table des matières
BY SUSY INÉS BELLO KNOLL AT JURIS DIVERSITAS CONFERENCE 2016.
With JURIS DIVERSITAS I am crossing boundaries: I am a lawyer and accountant from Buenos Aires University, Argentine; PHD in Law from Salamanca, Spain. Europe and Latin America. Art and Law. We have decided to share and point out the work we’ve been doing in the field of fashion law.
When talking about a creative industry, such as fashion, as we are going to show today, the most important area within fashion law is Intellectual Property.
We can start by asking a question: What is fashion law?
First: what is fashion for you? A group of designers in Buenos Aires told me these words. Expression, culture, cycle, social event. I consider that these words can define fashion. EXPRESSION: because people express many things through clothes, for example. And also it is part of culture, of the values that a society considers relevant. It expresses the times that we live in, even our individuality.
Fashion is “a form of imitation and so of social equalization, but paradoxically, iit is changing continually, it differentiates one time from another and one social stratum from another”. This is a definition from sociology. And Georg Simmel, its author, is a sociologist.
But for one French woman, who is one of the ten most important persons of the last century, Coco Chanel, “fashion is not only…. something is present in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening”.
It operates both as a cultural phenomenon and as a highly complex business.
Let’s know more about the characteristics of the fashion business only in garments. Even if we consider there is fashion in music, education, books, architecture and more.
When it comes to garments, you know that fashion has different seasons and maybe you know about the fashion weeks. The most important of them stars in New York in September, and after that, the same event will take place again in London, Paris and the last one will be in Milano by October. Special weeks organized by brands like Mercedes Benz Fashion Week or by cities such as Buenos Aires Fashion Week.
Apparel manufacturers produce between four to six seasonal lines per year. This happens without taking into account the the speed of fashion phenomenon, where countless lines are produced throughout a year.
Generally, companies work on three seasonal lines at the same time: they check the sales of one, supervise the production of the second, and finally they design and cost the third one.
The fashion industry is among the most aspirational, industrious and dynamic of all industries.
It is very fragmentary. We have got designers, brands, retails, outsourcing manufacture, journalists, models and more people with their own specializations. Its supply chain is long and convoluted, and often involves travelling between factories and countries, contractors and subcontractors, investors and employees.
I want to take some minutes to analyze, as the marketing professor Bracey Wilson does in Chile, the Armani Galaxy of brands to show you the complexity of the industry. First, we find ARMANI PRIVÉ. This is haute couture and exclusive. It has only one shop in Milano and two Hotels: one in Milano and other one in Dubai. Second, we find GIORGIO ARMANI or ARMANI COLLECTION and its aspirational concept. Third, we find EMPORIO ARMANI for young people. Four: A/X ARMANI EXCHANGE for football players. And ARMANI JEANS for big stores, ARMANI juniors and Armani Home. And we can find the same Galaxy of brands in Ralph Lauren Group of companies.
Luxury fashion lasts four months, Fashion Basic only six, and Basic Basic Fashion where you find T-shirts and underwear, which lasts the whole year.
And also, you have different sizes and different colors. A typical jeans manufacturer will sell as many as 10,000 to 20,000 jeans for example. And a big manufacturer: one million.
So the economic impact is very important. Let’s see the numbers: one trillion US dollars all around the world, all along the year. 20% of this is luxury market and 0,60% is eco luxury.
That is fashion…., but what is law? Law is rules.
When we refer to fashion, most of the rules are Intellectual Property ones, as the ones we find in trademark law, trade dress, patents, copyright. But there are other rules, for example, how to set up companies, commercial agreements, human rights (we think of this when we see a extremely thin model), contemporary slaves (when we see children working at a factory), pollution (when we look at the water disposition). The economic, political and cultural issues associated with the production are complex and the consumption of fashion impacts upon all sectors of law.
Many sciences take fashion as an object of study but Law centers have not studied it well enough. We do not expect to seek new legislation. We want to study the rules with a different glass: a fashion glass. We want to study the rules from all around the world because they are different. We started these studies in Argentina three years ago but it had already started in US back in 2007 with Susan Scafidi at Fordahm University.
As a consequence of our commitment with this study, we set up a non profit organization: Fashion law Institute Argentina. Link to our work.
“A survey of fashion law”, Fashion law, edited by Guillermo C. Jimenez & Barbara Kolsun, Fairchild Books, Second Edition, New York, 2014.
“Derecho y Moda”, edited by Susy Inés Bello Knoll & Pamela Echeverría, Marcial Pons, Buenos Aires, 2014.
From Monday, May 30th to Wednesday, June 1st, 2016, over forty jurists from all continents convened at the Louisiana State University Paul M. Hebert Law Center, Baton Rouge, to attend and present at the Juris Diversitas 4th Annual Conference, on Unity and/or Diversity. Plenary sessions featured three keynote speakers: Professor Vivian Curran (University of Pittsburgh) for the opening, Professor Francisco Reyes (Government of the Republic of Colombia and UNCITRAL) for the 39th Tucker Lecture in Civil Law, and Professor Vernon Palmer (Tulane University) for the closing panel. 36 papers where presented in 13 parallel sessions, including two sessions entirely in French, featuring a great variety of themes and jurisdictions.
Music is a space of possibilities, a realm of cross-cultural events where interpretation is deeply rooted in history and societal evolution. The main complexity is to analyze the coded meaning and view how the same signs, notions and concepts are appropriated, translated, rehistorized and read anew in songs, be they pop songs or national anthems.
This special issue will explore the richly complex manifestations of ‘Music, Cultural Heritage and Law’ in the following ways:
- How do we stimulate our senses with music?
- How do we combine music with national identity and law?
- Is music combined with other sign systems?
- How de we ‘hear’ music, national identity and law?
- What is the creatively approach perception of Music, National Identity and Law?
The International Journal for the Semiotics of Law/Revue Internationale de Sémiotique Juridique invites further discussion into these related questions and welcomes a plurality of approaches, including those of legal studies, philosophy, music, social sciences, linguistics, history, cultural studies and the humanities.
All paper abstracts of 300 words (max) can be submitted by December 2016 to Anne Wagner (Guest Editor) with decisions made by February 2017. Full papers could be written in English or French (abstract and keywords must be in English) and should not exceed 15,000 words.
The Special Issue is expected to be published in 2017-2018.
30% discount for new subscribers when
taking out a subscription to both JHRE
and the Queen Mary
Journal of Intellectual Property.
We are delighted to announce
that Volume 7, Issue 1 of the Journal of Human Rights and the
Environment is now available. This issue is on the theme of
Climate In/Justice and marks the launch of a new look for the Journal.
The relationship between human rights and the environment is a
fascinating, uneasy, and increasingly urgent one. This international journal
provides a strategic academic forum in which an extended interdisciplinary
and multilayered conversation can take place concerning the challenges
located at the interface of these two centrally important fields.
The full table of contents of this issue, including links to
free articles can be found below, along with information about submissions
The Journal of Human Rights and the Environment invites
contributions to a themed edition on the 2015 Paris Agreement on all
aspects of the agreement invoking human rights and environmental justice
Submissions for this issue
should be sent to Anna Grear, Editor in Chief at GrearA1@cardiff.ac.uk
by 1st February 2017.
Papers outside of this theme
but which fall within the scope of the journal are also invited.
Submissions should be addressed to the Editor in Chief, Anna Grear. Book
review submissions should be sent to Jacinta Ruru.
Further information regarding
submissions to JHRE can be found on Elgaronline.
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is linked with the Global Network for the Study of Human Rights and the
Environment (GNHRE). For more information, visit GNHRE.
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